A red-toned image of opened lemon halves on a surface, with a background of leaves and a journal or book.
The word "about" written in cursive script.
A woman, Phoebe Simpson, standing next to a table with jewelry and small decorative items, in a room with wooden beams and a large window.

'‘My work is driven by curiosity and a continuous exploration of the creative process. The love of making is the cornerstone of my practice, always taking an informal and playful approach.

- Phoebe

Phoebe Simpson is a contemporary jewellery designer and maker specialising in handcrafted, small-batch pieces defined by texture, form, and material.

Her practice is rooted in traditional sand casting, lost wax carving and rolling techniques, where each piece is carved or formed by hand before casting or rolling. This process captures the raw, tactile qualities of the original form, resulting in jewellery that feels both minimal and distinctive.

After studying Textiles at the University of Brighton and working at Heatherwick Studio in London, Phoebe established her jewellery brand in 2016. Since then, she has exhibited internationally and across the UK, building a reputation for thoughtful design and refined craftsmanship.

Working primarily with recycled silver, gold, and bronze, her collections are designed for everyday wear; understated, durable, and made to last. Each piece is produced in small batches, with a focus on quality, sustainability, and attention to detail.

Alongside her collections, Phoebe offers a bespoke service, working closely with clients to create one-of-a-kind pieces. This often includes remodelling heirloom materials into contemporary designs, balancing sentiment with a considered, modern aesthetic.

Based in Cornwall, her work reflects a commitment to slow, intentional making.

A faded red riso print with the word 'LOVE' written vertically in cursive and overlapping glasses icons.
Five red-toned images of facial features and glasses arranged randomly on a white background.

Small Things, Giving Back

Jewellery is, of course, a luxury. It is a privilege to make objects like these for a living, and to have people choose them to mark moments in their lives. With that in mind, four times a year, with the turning of the seasons, the studio gives something back. On these days a portion of studio profits is donated to a charity that matters to Phoebe.

It is a small gesture, but one that feels important in a world where many are facing hardship.

Because even the smallest objects can carry meaning beyond themselves.

A sheet of red riso print paper with white outlines of jewellery, some torn at the edges.
A red riso print of flowers